Glorious 17th Century: October 2002 Archives

Robert Herrick Again

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Robert Herrick Again

Robert Herrick is included in both the group of metaphysical poets and the group of cavalier poets--probably one of the reasons he seems to be the center of study of nearly any seventeenth century poetry class. Here is an example of one of the less secular works.

His Litany to the Holy Spirit
Robert Herrick

IN the hour of my distress,
When temptations me oppress,
And when I my sins confess,
                 Sweet Spirit, comfort me !

When I lie within my bed,
Sick in heart and sick in head,
And with doubts discomforted,
                 Sweet Spirit, comfort me !

When the house doth sigh and weep,
And the world is drown'd in sleep,
Yet mine eyes the watch do keep,
                 Sweet Spirit, comfort me !

When the artless doctor sees
No one hope, but on his fees,
And his skill runs on the lees,
                 Sweet Spirit, comfort me !

When his potion and his pill
Has, or none, or little skill,
Meet for nothing, but to kill ;
                 Sweet Spirit, comfort me !

When the passing bell doth toll,
And the furies in a shoal
Come to fright a parting soul,
                 Sweet Spirit, comfort me !

When the tapers now burn blue,
And the comforters are few,
And that number more than true,
                 Sweet Spirit, comfort me !

When the priest his last hath prayed,
And I nod to what is said,
'Cause my speech is now decayed,
                 Sweet Spirit, comfort me !

When, God knows, I'm toss'd about,
Either with despair, or doubt ;
Yet before the glass be out,
                 Sweet Spirit, comfort me !

When the tempter me pursu'th
With the sins of all my youth,
And half damns me with untruth,
                 Sweet Spirit, comfort me !

When the flames and hellish cries
Fright mine ears, and fright mine eyes,
And all terrors me surprise,
                 Sweet Spirit, comfort me !

When the judgment is reveal'd,
And that open'd which was seal'd,
When to Thee I have appeal'd,
                 Sweet Spirit, comfort me !

I can't help but admire the two stanzas concerning Doctors. In his time, and not infrequently in our own, they are too true.

When the artless doctor sees No one hope, but on his fees, And his skill runs on the lees,                  Sweet Spirit, comfort me !

When his potion and his pill
Has, or none, or little skill,
Meet for nothing, but to kill ;
                 Sweet Spirit, comfort me !

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For La Madre

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For La Madre

Perhaps more appropriate for the Feast of the Transverberation. Nevertheless, offered here for your delectation.

"The Flaming Heart Upon the Book and Picture of Saint Teresa"
(As she is usually expressed with a Seraphim beside her.)
Richard Crashaw

WELL meaning readers! you that come as friends
And catch the precious name this piece pretends;
Make not too much haste to admire
That fair-cheeked fallacy of fire.
That is a Seraphim, they say
And this the great Teresia.
Readers, be rul'd by me; and make
Here a well-plac'd and wise mistake
You must transpose the picture quite,
And spell it wrong to read it right;
Read him for her, and her for him;
And call the saint the Seraphim.
Painter, what did'st thou understand
To put her dart into his hand!
See, even the years and size of him
Shows this the mother Seraphim.
This is the mistress flame; and duteous he
Her happy fireworks, here comes down to see.
O most poor-spirited of men!
Had thy cold pencil kist her pen
Thou couldst not so unkindly err
To show us this faint shade for her.
Why man, this speaks pure mortal frame;
And mocks with female frost love's manly flame.
One would suspect, thou meant'st to paint
Some weak, inferior, woman saint.
But had thy pale-fac'd purple took
Fire from the burning cheeks of that bright book
Thou wouldst on her have leapt up all
That could be found seraphical;
Whate'er this youth of fire wears fair,
Rosy fingers, radiant hair,
Glowing cheek, and glistering wings,
All those fair and flagrant things,
But before all, that fiery dart
Had fill'd the hand of this great heart.
Do then as equal right requires,
Since his the blushes be, and hers the fires,
Resume and rectify thy rude design;
Undress thy Seraphim into mine.
Redeem this injury of thy art;
Give him the veil, give her the dart.
Give him the veil; that he may cover
The red cheeks of a rivall'd lover.
Asham'd that our world, now, can show
Nests of new Seraphims here below.
Give her the dart for it is she
(Fair youth) shoots both thy shaft and thee.
Say, all ye wise and well-pierc'd hearts
That live and die amidst her darts,
What is't your tasteful spirits do prove
In that rare life of her, and love?
Say and bear witness. Sends she not
A Seraphim at every shot?
What magazines of immortal arms there shine!
Heav'n's great artillery in each love-spun line.
Give then the dart to her who gives the flame;
Give him the veil, who kindly takes the shame.
But if it be the frequent fate
Of worst faults to be fortunate;
If all's prescription; and proud wrong
Hearkens not to an humble song;
For all the gallantry of him,
Give me the suff'ring Seraphim.
His be the bravery of all those bright things,
The glowing cheeks, the glistering wings;
The rosy hand, the radiant dart;
Leave her alone, the Flaming Heart.
Leave her that; and thou shalt leave her
Not one loose shaft but love's whole quiver.
For in love's field was never found
A nobler weapon than a wound.
Love's passives are his activ'st part.
The wounded is the wounding heart.
O heart! the equal poise of love's both parts
Big alike with wound and darts.
Live in these conquering leaves; live all the same;
And walk through all tongues one triumphant flame.
Live here, great heart; and love and die and kill;
And bleed and wound; and yield and conquer still.
Let this immortal life where'er it comes
Walk in a crowd of loves and martyrdoms.
Let mystic deaths wait on't; and wise souls be
The love-slain witnesses of this life of thee.
O sweet incendiary! show here thy art,
Upon this carcass of a hard, cold heart,
Let all thy scatter'd shafts of light, that play
Among the leaves of thy large books of day,
Combined against this breast at once break in
And take away from me my self and sin,
This gracious robbery shall thy bounty be;
And my best fortunes such fair spoils of me.
O thou undaunted daughter of desires!
By all thy dow'r of lights and fires;
By all the eagle in thee, all the dove;
By all thy lives and deaths of love;
By thy large draughts of intellectual day,
And by thy thirsts of love more large than they;
By all thy brim-fill'd bowls of fierce desire
By the last morning's draught of liquid fire;
By the full kingdom of that final kiss
That seiz'd thy parting soul, and seal'd thee his;
By all the heav'ns thou hast in him
(Fair sister of the Seraphim!)
By all of him we have in thee;
Leave nothing of my self in me.
Let me so read thy life, that I
Unto all life of mine may die.

The poetic transfiguration of St. Teresa into a Seraphim is really quite nice. And I'm uncertain that there are any lines in relgious poetry quite so powerful as:

"By all thy brim-fill'd bowls of fierce desire
By the last morning's draught of liquid fire;
By the full kingdom of that final kiss
That seiz'd thy parting soul, and seal'd thee his; "

I'm certain there must be, but most certainly not on this day. St. Teresa of Avila is one of those saints you can't help not only admiring, but once you come to know her, really liking. To show this two small anecdotes:

Writing to her Foundations and advising the young nuns there St. Teresa of Avila said something to the effect: "If you believe you are having visions, you need to eat more."

Upon arriving at an important interview with a local Bishop, she dismounted and stepped or fell into a puddle of mud, upon which she raised her eyes to heaven and said, "If this is how you treat your friends, no wonder you have so few."

May this day be a blessing upon all of you and through the intercession of La Madre, may your prayers and your prayer life improve today and each day that you turn your heart to God.

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This page is a archive of entries in the Glorious 17th Century category from October 2002.

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