Dante's Purgatory

Two points from Ciardi's translation that I found fascinating and beautiful. At the end of Canto IX, Dante and Virgil enter purgatory proper, having spent the first part of the book in a place at the base of the mount called ante-purgatory. And the passage below describes the first experiences of purgatory:

from Purgatorio
Dante, tr. John Ciardi

The Tarpeian rock-face, in that fatal hour
that robbed it of Metellus, and then the treasure,
did not give off so loud and harsh a roar

as did the pivots of the holy gate--
which were of resonant and hard-forged metal--
when they turned under their enormous weight.

At the first thunderous roll I turned half-round,
for it seemed to me I heard a chorus singing
Te deum laudamus mixed with that sweet sound.

I stood there and the strains that reached my ears
left on my soul exactly that impression
a man receives who goes to church and hears

the choir and organ ringing out their chords
and now does, now does not, make out the words.

Which sounds should be sharply contrasted with the first sounds heard in Hell.

On another point, Ciardi makes the following note:

from Purgatorio Note to Canto IX
John Ciardi

I owe Professor MacAllister a glad thanks for what is certainly the essential clarification. The whole Purgatorio, he points out, is build upon the structure of a Mass. The Mass moreover is happening not on the mountain but in church with Dante devoutly following its well-known steps. I have not yet had time to digest Professor MacAllister's suggestion, but it strikes me immediately as a true insights and promises another illuminating way of reading the .

And I would add to that last line, of reading our lives in faith. Part of our Purgatory are the hours gladly spent here on Earth working out the scars and physical remains of sin in the Holy Sacrifice of the Mass. Attended with proper reverence, attention, and intention, the Holy Prayer of the Mass advances us far beyond any other activity in which we might engage. Done in the proper spirit of confession and contrition for sins, the activity of Mass begins here on Earth what is completed afterwards by those who have not achieved God's perfection in Purgatory. And perhaps that begins to help us understand what Purgatory actually is.

One final, wonderful point. The efficiency and efficacy of Ciardi's notes are such that one is led to the following passge of Lucan's Pharsalia:

At this Metellus yielded from the path;
And as the gates rolled backward, echoed loud
The rock Tarpeian, and the temple's depths
Gave up the treasure which for centuries
No hand had touched:

Read the entire work--a recounting of Caesar's return from the battle of the Rubicon here.