The Road Redux

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I know, I wrote too-long a review yesterday, and I now intend to add to it.

While I said yesterday that one should not view The Road as an allegory, I do think that it falls squarely in the realm of symbolic novel. The landscape, events, scenery, and even some of the people are more symbolic than realistic and as symbols they speak of a great many things:

isolation, desire, loneliness, despair, depravity, sanctity, love, divinity, life's journey,

among others. The richness of the symbolism and of the narrative and, as I pointed out yesterday, the Godot-like dialogue and description all move toward several symbolic ends--all of which, surprisingly are warm, humane, and good. The apparent nihilism of the surface is resolved into the order and beauty of human love, the transcendent note that stems from Divine love and through which the book triumphs even in bleakness.

I don't know how often I will be rereading this book, but it can bear the weight of a great many rereadings and always yield fruit. Because the author is not too didactic either way, it is entirely possible to give the book a deeply Christian interpretation and to bring the symbols and actions into a conformity with the Christian understanding of the world.

Once again I encourage everyone who is strong of heart to take the journey and find out what The Road is all about.

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This page contains a single entry by Steven Riddle published on October 24, 2006 9:37 AM.

"So Long Self" was the previous entry in this blog.

Middlemarch Revisited is the next entry in this blog.

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