Kairo

|

Soon to be known, probably far less effectively, as Pulse in an American Remake.

The central concept--the Internet is populated by ghosts. That's it. They're there and they cause a lot of problems. No, more than that, they bring about an apocalypse that starts in Tokyo.

The film is quiet and horrifyingly effective with very little of the trick photography or the overt horrors of many lesser works. This film works because of its suggestion. It also works because it has more to say that most horror films. It asks questions about death and eternity that it doesn't dare answer or even really suggest answers to--but it asks them in a most disquieting way.

The imagery of the film is odd and suggestive. People disappear into shows of themselves left imprinted on the walls. Those in turn "pixelate" and vanish. But it is interesting that Kiyoshi Kurosawa has chosen this imagery for the disappearance of humankind, most particularly as it is the haunting imagery of Hiroshima and Nagasaki, and of the Katsuo Oda short story "Human Ashes."

Be forewarned, the story never really goes much of anywhere--the film is almost entirely about atmosphere and about the loneliness of the human condition--both points conveyed superbly. And it does provide a few creepy moments and some surprising jolts.

Understated, elegant, and thoughtful--for those into the Asian Horror Movie field this is a superb entry. High Recommended for adults.

Bookmark and Share

Categories

Pages

About this Entry

This page contains a single entry by Steven Riddle published on August 12, 2006 4:29 PM.

Ukiyo-e IV and V was the previous entry in this blog.

Thérèse is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

My Blogroll