Gaudy Night The Screen Adaptation

| | Comments (1)

The dullness and sheer shrewish repulsiveness of the book is faithfully brought to the screen. So faithfully I was only able to endure the first episode before turning it off. Harriet Vane isn't as odious as those with whom she associates--but what a clutch of harpies.

Now, I know that this was Sayer's version of A Room of One's Own arguing for the possible academic integrity of women studying at a university. But it is an unfortunate venue populated with the Oscar Wilde version of a fox-hunt--"The unspeakable chasing the inedible."

In case you haven't noticed, I'm not a fan of Gaudy Night as Tom noted, I constitute a very small (but vocal) minority of Sayers' fans. On the other hand, I am truly a Sayers' fan and only reluctantly a partisan of Lord Peter Wimsey, who I generally find as apalling as the characters in an Evelyn Waugh novel. (Can't wait to read Black Mischief.)

Bookmark and Share

1 Comments

You've given me an idea: we come up with a list of alternative titles for Lord Peter Wimsey novels, then run it past some hardcore fans to see what they think.

Gaudy Night becomes, of course, A Clutch of Harpies. Have His Carcase might be Encyclopedia Brown and the Case of the Russian Waiter.

Categories

Pages

About this Entry

This page contains a single entry by Steven Riddle published on December 3, 2004 8:10 AM.

An Apology and a Thank You was the previous entry in this blog.

Center for Economic and Social Justice is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

My Blogroll